Theaters of war
Developments
- What is the United States trying to accomplish in Iran?
- A U.S. cabinet secretary says the wrong thing under oath. … A screenwriter up for an Academy Award speaks from central Tehran. … & The French Crown Jewels, still missing.
Features
- How could an unexpected event transform a work of art? Bryan Singer on a secret monument in Southern Lebanon, its tangled politics, and his first film in seven years.
- Why is there so much of copper in the world—and yet not enough to go around? Adam Simon on the “huge stakes” of global competition for the metal.
Books
- How did governments become the most powerful force in global markets? Ilias Alami’s and Adam Dixon’s The Spectre of State Capitalism.
Music
- What does it mean when the beat answers back?
- & New tracks from Lamisi, Squarepusher, Bill Frisell, Mitski, & Galcher Lustwerk.
+ Weather report
- The hottest stretch of the year comes for tens of millions across West Africa this week …
Developments
Locked in
On Friday, the White House posted a video on its official account splicing real footage of airstrikes in Iran with clips from the video game Grand Theft Auto. The word “WASTED”—the message players see when their character dies—flashed across the screen after each explosion. Earlier in the week, another video mashed up Call of Duty kill scores with missile strikes. Another cut between the Hollywood movies Iron Man, Gladiator, Top Gun, and John Wick before transitioning to military footage, captioned “Justice the American way.” The actor and director Ben Stiller asked the White House to remove a clip from Tropic Thunder—writing, “War is not a movie.”
Meanwhile, six American service members are dead. Iran’s Red Crescent puts the civilian toll above 1,300—and while it’s not a number we can confirm, it’s currently among the more conservative estimates—including more than 160 people killed in a strike on a girls’ school that U.S. military investigators now believe was an American missile. On Friday, U.S. President Donald Trump posted on his social media platform, Truth Social: “There will be no deal with Iran except UNCONDITIONAL SURRENDER!” He added that afterward, “GREAT & ACCEPTABLE Leader(s)” must be selected. He signed off: “MAKE IRAN GREAT AGAIN (MIGA!)”
Conspicuously, the administration has yet to articulate a coherent purpose for this war. Its stated objectives have multiplied by the day, its messaging oscillates between the language of total war and the aesthetics of entertainment, and the closest model it has offered—the U.S. military’s recent intervention in Venezuela—bears almost no resemblance to what’s unfolding. Eight days in, the most important question seems the simplest:
What is the United States trying to do here?
- Objectives that keep expanding. On the first day, Trump cited four goals: destroy Iran’s missiles, sink its navy, prevent a nuclear weapon, and cut off Iran’s proxy funding of militant groups across the Middle East. By Tuesday, U.S. Central Command’s mandate had grown to include dismantling the regime’s security apparatus. By Wednesday, Trump told reporters he must be “involved” in choosing Iran’s next leader. By Thursday, he called Mojtaba Khamenei—the deceased Ayatollah Ali Khamenei’s son—“unacceptable” as a successor to Iran’s supreme leadership. By Friday, Trump demanded unconditional surrender—though he later told Axios that could mean Iran simply being unable “to fight any longer because they don’t have anyone or anything to fight with.” White House press secretary Karoline Leavitt estimated fighting would continue for four to six more weeks. Senator Mark Warner, the top Democrat on the Senate Intelligence Committee, said he’d counted four or five stated objectives. No one has clarified an endgame.
- The Venezuela template. Trump has repeatedly and explicitly invoked Venezuela. “It’s going to work like it did in Venezuela,” he told CNN. In Venezuela, the U.S. captured President Nicolás Maduro, replaced him with his deputy, kept the governing system in place, and called it something other than regime change. That template—decapitate, install someone amenable, declare victory—might explain why the administration simultaneously denies regime change while insisting on choosing the next leader. But Venezuela was a 48-hour operation against a diplomatically isolated autocrat with no military capacity and no ability to retaliate. Iran is a regional power fighting back with missiles, drones, intelligence from Russia, and the capacity to shut down 20 percent of the world’s oil supply.
- Whose war? According to reporting from Axios, Israel’s Prime Minister Benjamin Netanyahu called Trump on February 23 with intelligence that Khamenei and his top advisers would all be in one location the following Saturday. The CIA confirmed the intelligence on Thursday. The Geneva nuclear talks collapsed the same day. Trump gave the green light. “One side of the house was negotiating and the other side of the house was doing joint military planning,” a U.S. official said, per Axios. Netanyahu, who’s pushed successive American administrations toward confrontation with Iran for more than two decades, has met Trump seven times since his return to office—including a three-hour closed-door session on February 11, after which the USS Gerald Ford, the world’s largest aircraft carrier, departed for the Mediterranean. None of this means the president was dragged into the war—a proposition Trump denies—but the question of whose objectives it’s serving is still as unclear as the question of what the objectives are.
- The Strait of Hormuz. The administration’s stated objectives, as far as they go, are all military: destroy, dismantle, prevent. No mention of the global economy. But Iran shut down roughly 20 percent of the world’s traded oil with a handful of cheap drones near the Strait of Hormuz—not a naval blockade, just enough strikes to spook insurers and shipping companies. By Tuesday, maritime traffic through the strait had dropped to near zero. Qatar halted liquid-natural-gas production after its facilities were struck. Kuwait began shutting down oil fields for lack of storage. Oil recorded its biggest weekly gain since 1983. Qatar’s energy minister warned that continued disruption “could bring down the economies of the world.” If the war’s stated purpose didn’t account for the most predictable consequence of starting it, it raises a question about how much of this was planned beyond the opening strikes.
- Russia enters the picture. The Washington Post reported on Friday that Russia is giving Iran targeting intelligence on the locations of American warships and aircraft—the first indication of a major power entering the conflict on Tehran’s side. CNN has reported that U.S. intelligence also suggests China may be preparing to supply Iran with spare parts and missile components. The four original objectives were all scoped to Iran alone. None accounted for a third party with a sophisticated satellite constellation feeding the other side. Hezbollah has re-entered the war, and Israel has launched a ground offensive into Lebanon. Iran has struck targets in Israel, Bahrain, Saudi Arabia, Qatar, Kuwait, the United Arab Emirates, Jordan, and Iraq—countries that got no prior notice of the operation. The conflict’s geography now extends from Beirut to the Indian Ocean—where a U.S. submarine sank the Iranian frigate Dena with a torpedo 2,500 kilometers from the nearest strike zone—but the rationale hasn’t expanded to match.
- Congress stays out. The U.S. Senate voted 47–53, largely along party lines, to block a war-powers resolution—a legislative mechanism that would have required congressional authorization for continued military operations. The House of Representatives rejected a companion measure. The votes worked less as a debate about objectives than as tests of party loyalty. The result is that the largest American air campaign in decades proceeds without anyone in a position of authority having required the administration to define what success looks like. Several Republican senators said they’d reassess if the administration deployed ground troops—an eventuality the White House hasn’t ruled out. Without institutional pressure to answer the question, the administration can keep expanding its stated objectives—and has.
- Cuba on the horizon. On Sunday, the day after the strikes began, Senator Lindsey Graham told Fox News: “Cuba’s next.” On Thursday, Trump told reporters that Marco Rubio’s “next one is going to be ... special. Cuba.” He said Rubio wanted to “get this one finished first,” then added: “We could do them all at the same time, but bad things happen.” On Friday, he told CNN that Cuba will “fall pretty soon” and that he’s sending Rubio. The president is publicly discussing the next regime he intends to change, while the current war has yet to produce a stated theory of how it ends.
The pattern that seems to be emerging—tentatively, and it may not hold—is that the U.S. administration is operating from an improvisational playbook in which targets of opportunity (Khamenei’s location, the Dena in the Indian Ocean, Cuba’s fragility) substitute for strategic objectives. Netanyahu provided the intelligence on Khamenei’s location; Trump seized it. The objectives expanded afterward to match the scale of what had already been set in motion.
The Venezuela comparison keeps surfacing, it would appear, because it’s the only recent precedent the administration has for taking out a head of state—but that precedent involved a country that couldn’t fight back. Iran can, and is. Russia is helping it fight back. The Strait of Hormuz is closed. The Gulf states, who said no one gave them a heads-up, are intercepting missiles over their capitals. And the American president is already talking about Cuba.
None of this resolves into a single explanation. It’s possible the administration has a strategy it hasn’t disclosed. It’s possible the strategy is still forming. It’s possible there is no strategy—that the war has its own momentum now, and its protagonists are writing their objectives to flow with it. What’s most glaring, though, is the gap: between the spectacular scale of what’s happening and the virtual absence of any articulated purpose that would allow anyone—allies, adversaries, Congress, or the public—to reckon meaningfully with whether it’s succeeding.
See “Inside Iran,” “Moving targets,” and “Open water.”

Meanwhile
- The secretary who said too much. President Trump fired U.S. Homeland Security Secretary Kristi Noem on Thursday—the first cabinet departure of his second term. The proximate trigger wasn’t the killing of two American citizens by federal immigration agents in Minneapolis, or the temporary suspension of airport security during a government shutdown. It was Noem’s testimony before Congress that Trump had personally approved a US$220 million advertising campaign featuring her on horseback—an account Trump has denied. Republican Senator Thom Tillis called her leadership “a disaster.” Her replacement: Senator Markwayne Mullin of Oklahoma, a former mixed-martial-arts fighter whom the president, apparently, enjoys watching on television.
- A screenwriter in the war zone. Mehdi Mahmoudian, the currently Oscar-nominated co-writer of the Iranian director Jafar Panahi’s It Was Just an Accident, spent nine years in Iranian prisons. This January, Mahmoudian was arrested again for signing a letter blaming the late Ayatollah Ali Khamenei for the massacre of protesters—and released after 17 days. Mahmoudian is now in central Tehran, under bombardment. On Wednesday, he spoke to the American public broadcaster NPR: “There is almost nothing beautiful about a war. But this war also brought us some happiness—the death of someone who, for years, took the Iranian people hostage.” The Oscars are on March 15.
- The missing crown jewels. Five months after four men disguised as construction workers stole eight pieces of the French Crown Jewels from the Louvre in seven minutes—including the Crown of Louis XV and the Hortensia diamond—the €88 million haul remains missing. Five suspects have been charged; French authorities have not recovered the jewels. The Galerie d’Apollon, where the Louvre displayed the jewels, is still closed. Director Laurence des Cars resigned in February. The museum is hiring a restorer for the Crown of Empress Eugénie, damaged when the thieves dropped it on the way out.

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Browse The Signal’s bookshop—organized into collections that track key themes in our investigations of current affairs: what’s driving the information wars, why societies are fracturing, how power keeps reinventing itself. Contributors’ titles alongside books we've featured in our coverage.
Features
Lone and level sands
How could an unexpected event transform a work of art? Bryan Singer on a secret monument in Southern Lebanon, its tangled politics, and his first film in seven years.