Brendan Hasenstab

Brendan Hasenstab is a contributing editor with The Signal.
07
Nov

Note: ‘Sorry’

111 MHz: ‘Sorry.’ From her album Space Is an Instrument, the French composer Félicia Atkinson is back with a mix
05
Nov

Note: ‘Top’

111 MHz: ‘Top.’ Klara Lewis, the experimental composer is just out with Thankful, an album dedicated to the memory of
31
Oct

Note: ‘Another Kind of Forever’

111 MHz: ‘Another Kind of Forever.’ The NYC-based saxophonist Darius Jones leads an ensemble on his new album, Legend of
29
Oct

Note: ‘Rain & Snow’

111 MHz: ‘Rain & Snow.’ L.A. bassist Sam Wilkes from iiyo iiyo iiyo, a live record cut in 2022
24
Oct

Note: ‘Pursuance’

111 MHz: ‘Pursuance.’ A brief fragment from an expanded reissue of a 2015 record of glorious, ringing, solo electric guitar
22
Oct

Note: ‘Yourcelium’

111 MHz: ‘Yourcelium.’ James McKeown, who records as Hawksmoor is a modular synth player and composer from Bristol, U.K.
17
Oct

Note: ‘Enthropist’

111 MHz: ‘Enthropist.’ How about seven minutes of drone jazz from Norway? Splashgirl is a three-piece—piano, double bass, and
15
Oct

Note: ‘The Soldier’

111 MHz: ‘The Soldier.’ Lara Rix-Martin, a British ambient and experimental keyboard ace, records as Meemo Comma. Last month, she
10
Oct

Note: Choir Waits in the Wings

111 MHz: ‘Choir Waits in the Wings.’ The Chicago post-rock deity David Grubbs is back with a record blending his
08
Oct

Note: ‘Lose the Minus’

111 MHz: ‘Lose the Minus.’ In 1994, London’s Seefeel became the first guitar band to sign to Warp Records—